Tag: chaos star

On Considering the History of the IOT

Soror Brigantia

Over the years, I have seen on social media, blogs and YouTube several discussions relating to the history of the IOT. These vary in quality, some being very good and others less so.

One thing they appear to have in common is that they are produced by people who have either no or tenuous links to the IOT, and the research is conducted mainly through other articles accessed via the internet. It’s my opinion that any discussion that over relies on information gleaned from the internet which does not include book research and fieldwork to be essentially flawed. As we all know, because it’s on the internet that does not mean it’s accurate, and there may be some essential information that will not be included.

In relation to the IOT while there are some books that will give information there are not many and therefore, I would consider fieldwork to be an essential component of any research conducted into this magical order. Putting it plainly: if you want to know what happened in the IOT, ask the membership.

I would point to this video made by someone who was there when the IOT was born to be the most accurate account as well as Dave’s series on the history of the IOT on this blog.

Dave’s work can be seen at  Chaotopia! – Dave Lee’s Chaotopia!

Most internet discussions focus on an event which I like to call the ‘Ice Magick Argument,’ often referred to as a ‘war.’ I personally cannot comment on the ins and out of what happened with this as it happened so long ago before I had joined the IOT.

Most histories of the IOT given by people who have never been members tend to finish with The Ice Magick Argument and little attention is paid to any history that occurred after that event or how the IOT is today. The IOT is a group that is constantly evolving and changing and due to this development, the IOT that exists today will have some differences to the IOT of five years ago. Occasionally I see discussions on social media involving people who say they were members 10 years ago or so whose opinions may have historical value, but due to the continual evolving nature of the IOT bear little resemblance to how the order is today.

The PACT will also mean different things to different people. One person’s experience of it may be very different to another’s, as individual development and expression is encouraged within the order.

On the BIS YouTube account, youtube.com/c/IOTBIS we have started a series of personal accounts of how individuals joined the IOT which gives a more up to date flavour of the IOT by showcasing these individual journeys within the PACT. As the IOT encourages its membership towards personal autonomy and finding their own magical style it is hoped that these videos will give a hint of the diverse experience of PACT members and a more accurate snapshot in time of how the British Isles Section operates during the time the video was made.

(This is the opinion of Soror Brigantia and does not necessarily reflect the opinion of everyone in the IOT)

Artistry in Magick

by Soror Brigantia 739

For many years it’s been my preference to undertake works of magick in a way that is aesthetically pleasing to me. While magic can be done without this and can be done without any magical tools at all, for me nothing beats the sheer joy of creating a piece of spell work that is beautiful, using tools that have been beautifully handcrafted by artisans or crafted by myself. I find that this is particularly effective if I want my heart to sing during the ritual to make use of magical items that do just that.

Having always had a great appreciation of art and spending many a happy afternoon mooching around art galleries, exploring the emotions that the art work invoked in me and how I related with the art, doing the same magically is a logical consequence.

One of my most interesting experiences in a gallery was viewing Van Gogh’s Starry Night in The Museum of Modern Art in New York and being asked by security to move along as I had been staring at the painting for too long. The reason for my length of time at the painting was due to having transported into the painting itself and directly interacting with the night sky in the painting. To me it felt as if I’d been there a few minutes but it was a couple of hours. It was a very confusing experience for my 20 year old self but nonetheless an awesome experience and only increased my love for that particular painting.

My opinion on making magick beautiful has become a tad unpopular as more pragmatic magic-on-the-go systems tend to be popular within chaos magic but I have my reasons for taking the time to make a ritual visually appealing. I have found that the beauty and artistry of some magical paradigms and rituals make a helpful counter to the ugliness that can be seen in the world today. Sadly, I cannot walk through a town centre without seeing perpetrator behaviour, arguments, people who are depressed, anxious or broken due to the pressures of life. I see alcohol and drug abuse and on occasion signs of human trafficking. This is happening within half a mile of where I am currently sitting – or perhaps even closer. It breaks my heart; I have nothing but empathy for all of the tears of Erzulie.

If I can undertake small acts, however small to create an act of beauty in this world then I will, and I will bring that into my magical practice whenever possible. What difference that may make to the world I do not know but as Gandhi said “What you do may be insignificant but it is important that you do it.”

So I have spent some of my time during lockdown doing what a lot of people are doing- making arts and crafts. Some people are making clothes, knitting blankets and doing some awesome embroidery. My crafts are of course of the witch variety and some of these have been inspired by my 2018 visit to New Orleans. People who practice Conjure and Voodoo in New Orleans are experts in making magical objects and know how to do it with beauty and grace.

Inspired by their example I have made magical objects that are physically in the New Orleans style although they would have been magically charged differently, in my own Welsh way. Some of these objects have taken months to make, which is beneficial during these very stressful times. During the making my mind is focused on my statement of intent and not on how stressful my life is being a key worker in a pandemic, so the work has a therapeutic as well as a magical value.

I find that the process of making magic a work of beauty as well as finding the beauty and joy whenever and wherever you can not only counters the ugliness that can also be found in the world but also brings the magician into the place of calm stillness where one is better able to find one’s own practical solutions to the difficulties that we encounter in the world today.

The Art of Chaos