Tag: conjure

Artistry in Magick

by Soror Brigantia 739

For many years it’s been my preference to undertake works of magick in a way that is aesthetically pleasing to me. While magic can be done without this and can be done without any magical tools at all, for me nothing beats the sheer joy of creating a piece of spell work that is beautiful, using tools that have been beautifully handcrafted by artisans or crafted by myself. I find that this is particularly effective if I want my heart to sing during the ritual to make use of magical items that do just that.

Having always had a great appreciation of art and spending many a happy afternoon mooching around art galleries, exploring the emotions that the art work invoked in me and how I related with the art, doing the same magically is a logical consequence.

One of my most interesting experiences in a gallery was viewing Van Gogh’s Starry Night in The Museum of Modern Art in New York and being asked by security to move along as I had been staring at the painting for too long. The reason for my length of time at the painting was due to having transported into the painting itself and directly interacting with the night sky in the painting. To me it felt as if I’d been there a few minutes but it was a couple of hours. It was a very confusing experience for my 20 year old self but nonetheless an awesome experience and only increased my love for that particular painting.

My opinion on making magick beautiful has become a tad unpopular as more pragmatic magic-on-the-go systems tend to be popular within chaos magic but I have my reasons for taking the time to make a ritual visually appealing. I have found that the beauty and artistry of some magical paradigms and rituals make a helpful counter to the ugliness that can be seen in the world today. Sadly, I cannot walk through a town centre without seeing perpetrator behaviour, arguments, people who are depressed, anxious or broken due to the pressures of life. I see alcohol and drug abuse and on occasion signs of human trafficking. This is happening within half a mile of where I am currently sitting – or perhaps even closer. It breaks my heart; I have nothing but empathy for all of the tears of Erzulie.

If I can undertake small acts, however small to create an act of beauty in this world then I will, and I will bring that into my magical practice whenever possible. What difference that may make to the world I do not know but as Gandhi said “What you do may be insignificant but it is important that you do it.”

So I have spent some of my time during lockdown doing what a lot of people are doing- making arts and crafts. Some people are making clothes, knitting blankets and doing some awesome embroidery. My crafts are of course of the witch variety and some of these have been inspired by my 2018 visit to New Orleans. People who practice Conjure and Voodoo in New Orleans are experts in making magical objects and know how to do it with beauty and grace.

Inspired by their example I have made magical objects that are physically in the New Orleans style although they would have been magically charged differently, in my own Welsh way. Some of these objects have taken months to make, which is beneficial during these very stressful times. During the making my mind is focused on my statement of intent and not on how stressful my life is being a key worker in a pandemic, so the work has a therapeutic as well as a magical value.

I find that the process of making magic a work of beauty as well as finding the beauty and joy whenever and wherever you can not only counters the ugliness that can also be found in the world but also brings the magician into the place of calm stillness where one is better able to find one’s own practical solutions to the difficulties that we encounter in the world today.

The Art of Chaos

Remembering Harriet Tubman

by Soror Brigantia

In occult circles and within occult literature we hear a great deal about people who make outstanding contributions to magical practice. There are, for example, countless blogs and publications regarding the fantastic work undertaken by Aleister Crowley, Edward Kelly, John Dee and Austin Osman Spare — to name just a few.

While the contributions of these men cannot be undervalued, the lack of a female role model can leave many female practitioners of the occult wondering where their place is in all of this and where are the female occultists. It’s my opinion that the female role models are there, such as Dion Fortune. It’s just that they don’t get as much ‘air time’ as the men. For me personally one outstanding example of a female magical practitioner is Harriet Tubman.

Harriet Tubman was born Araminta Ross in the 1820’s and was born into slavery. A remarkable woman, she liberated herself from the bonds of slavery and fled to Pennsylvania. Not content with this she made several trips back south to liberate other Afro Americans held in bondage. She even risked recapture by going back to Dorchester County – where she had been held in slavery – to free others.

She became one of the most famous conductors on the Underground Railroad and one of the most unusual. Few Underground Railroad conductors would conduct their people all the way from plantation to freedom. Most of the time they would work as a team with different conductors picking up the escapees at different stages of their journey. Feeling a sense of responsibility towards the people she had freed Tubman would take them on the whole route.

Due to the Fugitive Slave Act of 1850 it become legal for bounty hunters to cross into a free state and recapture escapees. Tubman took her charges all the way to Canada to ensure their continual freedom after escaping. Most conductors would only lead 2 or 3 escapees; Tubman made a speciality of conducting larger groups of sometimes up to 25 people. This was dangerous work. Most conductors who did take their charges for the whole of the journey were white men and were therefore protected in some measure by this status. Tubman was a black woman and an escapee herself making this work more dangerous for her.

However, unlike many of the men who did this work Tubman was never caught. She had an innate sense of strategy and knew her terrain well – for she was also a Hoodoo woman, a practitioner of Conjure. She is famous for her Christian faith as in those days it was not uncommon for a Hoodoo practitioner to also be a Christian. She could hear the voice of god who would tell her what lay ahead on the course she was travelling on the Underground Railroad and she would change direction if she was told that danger lay ahead.

During the civil war she worked as a nurse for the Union and a considerable amount of her nursing was aiding soldiers who had contacted contagious diseases. Tubman of course never contracted those diseases herself. As she was a Hoodoo woman and knew the herbs and plants and their medical properties she was able to take measures to protect herself. Due to her advanced ability as a strategist she also worked more directly for the army and led a raid during which 750 Afro Americans achieved their liberty. She truly earned her nickname of ‘the General.’

After the war she worked for civil rights for women and Afro-Americans. When she saw that older Afro-Americans with poor health were not able to obtain the health care they needed she used all her financial resources to establish housing for them where they could receive this care.

Harriet Tubman was a very practical woman who used her Hoodoo and conjure skills in a very real way to achieve very real results within the realm of civil liberties and for that I applaud her. What better role model could there be?

See more at http://www.harriet-tubman.org/