Homage to the Chancellor

By Coral Carte

I was settling down to write a small offering of gratitude to Peter J. Carroll, when word broke that Gordon White had also departed this earthly plane. I was unprepared for the wave of grief that swept across the internet — mine included — and I found my project abandoned as I tried to process this fresh loss for someone whose voice, teachings, and community had also accompanied me through so many years of my life.

In the many tributes to Gordon, countless people have said they would not be where they are today without him. For me, this is true of both Gordon and Pete. One after the other, they taught me many of the things I have since incorporated and embodied in my own life and magical practice.

I met Pete first. I was never a particularly gifted student at school, but when I moved to Milan, I found myself on my Mercury line and my hunger for knowledge expanded exponentially. Once the internet arrived, I no longer had to wander bookshops dowsing for the texts I needed and magically, mysteriously, it brought me everything I needed.

I found Lyn Buchanan’s website and flew to America to study Remote Viewing. At the time this was a huge undertaking, only made possible by my then job in advertising. Later, online schools began appearing, and I found Maybelogic Academy, where I learnt astrology with Antero Alli. There I discovered Peter J. Carroll, “Stokastikos”.

After his experience teaching at MaybeLogic he founded his own magical school, the Arcanorium, and I signed up. I spent nearly three years there, the equivalent, for me, of an undergraduate degree. Unlike my difficult years at university, where failed exams made obtaining a degree excruciating, I applied myself wholeheartedly to every course offered. The teachers were extraordinary. Pete, who had visualised a magical order at only twenty-five, had by then gathered around him some of the finest magical minds of the era.

That time left traces in me both outwardly and inwardly. Some of those traces still exist physically: the wand I made for the course and still carry today, the sigil art, the staff from the six weeks of Chaos Monasticism during the Jihad of Chaos, the Ouranos figurine I sculpted, and all the things I managed to materialise through those years of practice.

Pete taught us everything. He led us on the KKK, pushing us to accomplish in 6 weeks what would normally take a year, enchanting, evoking and invoking, divination and illumination. We crafted our own lamps for illumination work, and somewhere in the middle of those studies I began to understand my life’s mission and the direction of my deeper interests. He recorded himself doing the Vortex Ritual, and we all did it and wrote up our results. He taught us about using magic in business, he taught us about the elements, about the Noosphere. I created a servitor tasked with bringing me “the others” — a phrase I would later hear when Gordon found him for one of his first “Find the Others” Podcasts.

That servitor still works to this day.

Pete was razor sharp, brilliant, demanding, and endlessly creative. We read all of his books, and studied his essays from Chaos International. At the time he was writing The Apophenion, so he entrusted us with proof copies to read through. I still have my signed copy, hand-delivered by the maestro himself, and a signed certificate of completion of the Jihad he later sent out to all of us by post.

We documented all of our work and magical experiments on the boards, Pete would comment on it in the class notes. 

Then, at International public Colours of Chaos Day in 2008, I discovered another side of Pete: in person, he was also kind. After the lectures came rituals. The then-head of the IOT was magnificently robed in a striking cloak with tiny buttons all the way down the front. Before he delivered his ritual, Temple Draig conducted a group ritual, and we were called in to participate. We were divided into smaller groups, I found myself – to my terror – placed in a group with Pete himself. My first non-solo public ritual suddenly mattered very much, but he stood beside me with warmth and generosity.

That meeting eventually led me to apply to the IOT, but as magic so often does, it also shattered open the life I thought I knew and forced me into an uncompromising confrontation with myself. My life imploded and exploded in equal measure. I had already lost my job, my mother, and later my adopted father, but after the Arcanorium, and during my novitiate, I also ended a deeply conflictual marriage and stepped into the abyss with my young son beside me.

By then, however, I had magical tools. I had skills. I had sigils everywhere — painted, mosaiced, consigned to fire and earth — and I had that servitor entrusted with bringing me connection, community, and “the others.” And survive I did.

I never finished the novitiate that time. It took another ten years before I was ready to return to that path. But Pete’s school and his direct, hands-on teaching were unconditionally seminal for me. They left marks on my psyche and practice that endure to this day. Much like The Apophenion itself — philosophical, speculative, expansive, the work of a magician in maturity — Pete’s influence carried me into a lifetime of consciousness hacking and exploration.

And then there was Gordon.

From the very first podcast all those years ago, Gordon became another kind of guide entirely. Through him came names, ideas, teachers, systems, histories, and possibilities. He had an unerring eye for brilliance and an extraordinary generosity in sharing it. Gordon created bridges: between worlds, between traditions, between people. Through his writing, and teachings, he carried Chaos Magic out into the wider world, expanding it, illuminating it, and making its possibilities visible to countless others.

I can’t write any better words for Gordon than have already been spoken by some of the best writers of our time. It is enough to say this: magically, spiritually, and personally, I would not be where I am without these two great magicians.

Pete took me into the world of magic and taught me about Chaos magic but Gordon also created a bridge that profoundly changed my own path: the bridge between Remote Viewing and magic. With his unerring eye for greatness, he too found Lyn Buchanan, my teacher and mentor and interviewed him. He realized the real magic in it and had Lyn give training directly to a group of magicians in Rune Soup.

Until then, I had remained largely incognito as a magician, preferring invisibility to vulnerability – unlike Gordon, who spoke his truth openly, unerringly, and without flinching. But the bridge Gordon built gave me permission to step forward publicly as both a magician and a remote viewer, and to recognise that Remote Viewing, despite its scientific terminology, also leaves space for magical thinking and direct experience of mystery.

The Rune Soup viewers became firm friends and excellent viewers in their own right, and to this day we still collaborate. Through Gordon, worlds that had seemed separate suddenly recognised one another. And many of us found ourselves reflected back through that meeting.

Travel safely onwards, dear magicians, and thank you for lighting the way for so many of us.

Metamorphosis and Belief by Coral Carte

I came to magic in my late teens through a deep and wordless affinity with the spirit of the land. I felt the presence of place in a way that seemed both natural and mysterious, as if I was able to hear the subtle voice of the earth itself. At the same time, I was living in what I would describe as a world of dreaming. I was a precognitive dreamer. The night’s dreams would reveal their meaning in the days that followed, as events quietly aligned with what I had already seen while sleeping.

At that age I did not have a framework for understanding these two experiences. On the one hand there was the tangible world of forests, stones, and water that seemed alive with spirit. On the other hand there was the inner landscape of dreams that anticipated the future. They felt like two separate realms. Later I discovered that Shamanism held space for both. It recognised the dreamer and the land as parts of the same continuum of awareness.

Books about Shamanism began to appear in my life almost by chance, and through them I was able to understand the Path of the Dreamer, about individuals who learned through visions and journeys into altered states. Around the same time a mentor appeared with a Tarot deck and a guidebook. Rather than simply teaching me the cards, I was given the unusual task of redrawing every single card by hand and copying out the explanations in my own writing into my own personal notebook.

This slow process changed the way I learned. Drawing the images forced me to study every symbol, every gesture and colour. Writing the meanings by hand embedded them in my memory in a way that reading never could. The Tarot became less like a book of instructions and more like a living language. Combined with the messages that came through dreams, it gradually reshaped my worldview. I began to understand that reality was layered, that intuition and symbolism offered another way of navigating life.

Many years later, during a period when I was searching for a new truth, I encountered the Chaos Magic paradigm. Chaos Magic brought me a radical idea: belief itself could be treated as a tool. One of the fundamental practices for a magician is metamorphosis.

Learning to change ourselves is central to magical practice. The exercise is deceptively simple: choose an aspect of your behaviour and change it deliberately. Observe the process and document it. In doing so you demonstrate to yourself—and to the universe—that transformation is possible. Then you can begin to change your beliefs. 

What appears to be a small shift can open the door to profound change. In my own case the process began with something almost trivial. I changed my habit of drinking tea and began drinking coffee instead. It sounds insignificant, but the act carried symbolic weight. It reminded me that patterns are not fixed. From there the experiment expanded.

As I allowed myself to question one habit, I began questioning many others. I started conversations with new gods, explored unfamiliar rituals, and examined the structures of my life with fresh eyes. The most difficult realisation was that I was living within a relationship that no longer gave me the space to grow. The new aspects of myself—the tender shoots of an emerging identity—had nowhere to take root.

Restructuring my life was not easy. Some of the challenges required enormous amounts of energy and courage. Yet the practice of metamorphosis had already taught me a crucial lesson: do not cling too tightly to any belief system. When beliefs are flexible, possibilities multiply. Different outcomes can be imagined, different paths explored.

In Chaos Magic this ‘unfixedness’ also means that assistance can come from many directions. Different entities, archetypes, and magical techniques become available as allies. Instead of defending a single worldview, the magician learns to navigate between perspectives.

This practice has had another unexpected consequence. It allows me to perceive the many layers of reality. I am no longer confined to believing only what the media tells me or what politicians argue about. I recognise that what we call reality may be only one level among many. Once you have learned the art of metamorphosis, you begin to understand that both the self and the world are far more fluid than we are taught to believe.

Dreamworking 

By Coral Carte

Recording and understanding one’s dreams is one of the foundational practices for a chaos magician, and is part of the novitiate curriculum for the Illuminates of Thanateros. I have been keeping a dream diary since I was 18, after encountering the writings of Carlos Castaneda, whose explorations of dreaming as a shamanic art opened a doorway for me into a deeper dimension of magic. Over the years, I’ve come to recognize that there are many kinds of dreams. Some offer clarity on everyday life, elaborating on the subtle emotional layers of mundane events. Others are unmistakably magical — revelations from the deep psyche that offer guidance, warnings, or invitations to refine one’s practice. And then there are those dreams that cross into the underworld, where it becomes possible to commune with the dead and other beings.

Dreaming is central to my path as both a chaos magician and a human being. Some dreams have left an indelible mark upon my soul. Once, not long after my mother’s death, I dreamt that I was with her in the land of the dead when I encountered a close friend who had appeared unexpectedly. He seemed shocked and confused, so I stopped him, calmed him, and stood by as he continued his journey. Only later did I learn that he had been shot and I most probably had been on the other side to meet him as he crossed over. Encounters like this remind me how fluid the boundaries of consciousness can be, and how the dreamspace allows us to serve as witnesses and companions in the mysteries of death and rebirth.

I keep both a magical diary and a dream diary. The act of recording dreams is a dialogue with the subconscious — and the subconscious, once it knows it’s being heard, begins to speak more clearly. I found that preparation is important: setting an intention before sleep, leaving a glass of water nearby, and keeping a notebook ready for immediate recording upon waking.

Once the dream recall is working and your dreams are clear enough to be recorded, then it’s time to work on the significance between the deeper layers. Give each dream a title, note the date, and list the symbols. Some, like water or stairs, are universal; others are deeply personal — square white tiles personally bring a recollection of my grandmother’s kitchen and therefore represent my safe space. Over time, as you weave these meanings together, the dreams begin to reveal the architecture of your own magical practice.

Learning the art of dream working not only deepens one’s magic, but also refines the subtle senses, opening channels of perception through the aethers. With patience and devotion, the dreamer becomes a bridge between worlds — able to receive guidance, commune with unseen intelligences, and move with greater awareness through the vast tapestry of consciousness itself.

My Experience as a Priestess of Chaos –By Coral Carte

I heard Daniel Foor once use the term “ritualist” to describe himself, and I knew that it was the description that fitted me best. I believe humans need rituals to mark the various passages in their lives, but in the Western world, we lack access to these practices except through the church, and we suffer the consequences. Before approaching chaos magic, I wrote and officiated ceremonies for myself and others, including rite of passage alternative ritual to the first communion, for an 11-year-old, the rituals for my own wedding, and a secular baptism rite for my son.

During the 2020 lockdown, when we took to the internet for connection, I was involved in several groups focused on consciousness. We held IOT meetings to support our community as often as possible. I also developed deep bonds with a Dream working group. Dreaming is a practice I discovered when I was still a teenager. Our approach was a deeply ceremonial practice of dream sharing and interpretation. I believe that my dreamwork, which I brought across to my IOT siblings along with my community ritual work, was what marked me as a Priest of Chaos. I continue my magical work during my dreams, and dreaming gives me access to alternative fonts of information. I have been keeping dream diaries for at least 20 years, and I am able to guide magicians into a coherent analysis of their own dream symbolism and interpretation.

I learned bodywork so that I could create healing, and when I added my shamanic practice, I was able to transform this discipline into a more magical ritual healing practice. I believe that the subconscious has access to higher levels of consciousness through the body. Through ritual bodywork, one can access a deeper state of gnosis quicker. I found that people were open and that through this transformative ritual bodywork, I could spread and share the practice of magic. Despite being afraid to acknowledge that I was working within a magical paradigm for much of my life, I was able to move through communities with my practice and instill a sense of belonging to a magical world in all of them.

I have led rituals at the three Occulture Festivals and through these have been able to show magicians from a cross-section of magical practices how to use magic by feeling it with their bodies rather than at an intellectual level. I’ve also presented a talk about Magic, Manifesting, and Remote Viewing to the scientific Remote Viewing community, where I “came out” as a practicing magician, only to discover that many viewers are actually involved in different branches of magic themselves. I believe Remote Viewing is based on a magical practice, and even Dean Radin, one of the leading scientists in the world of Remote Viewing, wrote a book about this called “Real Magic”. I regularly take ritual practices to communities outside of the IOT creating a sense of community helping people to transform and evolve into the best versions of themselves.

When I was invited to take on the role of Chaos Priest, it felt like stepping into the unknown, but I soon realized it was something I had been doing all along. Sometimes it takes an outside perspective to help you recognize what you’re already doing. I took my title in a ceremony the first time we met in person since the lockdowns, which together with the experience of finally being face-to-face and embracing was strongly impactful. My journey as a Priest of Chaos has been a natural extension of the practices and passions that have shaped my life. From crafting meaningful rituals and guiding dreamwork to fostering healing through bodywork and engaging with diverse communities, I have embraced the role of a bridge between the magical and the mundane. This has allowed me to serve both the IOT and the broader community, fostering connection, transformation, and deeper understanding. For me, being a Priest of Chaos is about living authentically, sharing wisdom, and holding space for others to explore their own magical journeys, and I continue to grow, learn, and contribute.