Tag: occult magick

How to Sell Your Soul

Experiments in Spirit Evocation by Frater Ananael

’’If there is no God or Devil, no Heaven or Hell, and if the place we go to when we forsake our physical bodies is merely a ‘sea of memory’ in constant flux, then would it not be better to ‘make a deal’ and know exactly what you’ll become and where you will go when you die, or persist with the constant fear and anxiety of an uncertain fate..(?)” Denerah Erzebet (The Rites of Astaroth)

Over the last year I made several attempts at spirit evocation using a Goetia type formula with mixed success. I tend to take the position that the demons listed in the grimoires are neither ‘evil’ nor ‘good.’ The rituals were performed by myself as well as in group settings. Some of the summonings seemed to set off a series of events whilst others seemed to not culminate when they were supposed to with the most intense visual experiences occurring at unscheduled times. The format I used was to summon the demon into a cauldron that would be placed at the centre of a circle of magicians with a triangle of art around it and a protective circle around that: cleansings would precede and follow each ritual. Incense was burnt inside the vessel in an incense burner placed over the sigil.

The first temple summoning of a Goetia entity was Ashtaroth. I like to use very unorthodox methods in my magic with a particular leaning towards the trappings of traditional witchcraft. So in this ritual I used a small dutch-pot with Ashtaroth’s sigil in chalk at the base. The dutch pot is a particularly useful tool in witchcraft, lending itself to all sorts of sorcery; it appears very much like a traditional cauldron but with a flat floor it lends itself well to having sigils drawn inside it.

We had another magician present who did a brilliant Lesser Banishing RItual of the Pentagram and after a relatively short summoning we did some connected breath-work: breathing deeply we chanted ‘Ashtaroth’ on our outbreath. We kept this up for 20 minutes. This ritual was reasonably intense but without any major effects during the summoning.

I myself have experience of Ashtaroth through my work with Exu Rei das sete Encruzilhadas, a powerful spirit who will intervene on the physical plane especially if etiquette is not properly observed, with a penchant for cigars and rum. A series of synchronicities did unfold in parallel with a Soror who was making offerings at the Crossroads for Lucifer in identical fashion to how I did for Exu: both entities being associated with Venus as the Morning Star. A Tarot ritual preceding this did point out to me that paths would cross with this person in no uncertain terms- it did in the familiar challenging ways that I have come to expect when working with Exu.

The second conjuration was out in the country with a group of magicians and it was Asmodeus this time. I brought my dutch pot and the ritual was preceded by a thorough cleansing ritual performed by a very competent magician and he did it in the manner as set out in the grimoires. I used the Asmodeus prayer from Spare’s Grimoire of Zos, bowdlerising it somewhat as I could not imagine this temple indulging in an evening of fornication. This time we used the connected breath-work again chanting ‘Asmoday’ on the outbreath. This was followed by the ‘spontaneous path-working’ method that we devised where a vision would be passed around the circle with a squeeze of the hand, each participant adding to it. The ritual completed at exactly the stroke of midnight and we had some insightful visions.

For my third demonic conjuration I would break-away from traditional goetia-type work altogether and loosely follow the ritual as outlined in a book called The Rites of Astaroth. This would be considered a dangerous rite which culminates in trading one’s soul to gain favour with this demon. In principle I would have no objections to trading my soul to Astaroth: is it not the case that practically every religion requires its adherents to dedicate their soul to the object of their adoration anyway but dressed up in different words?

I made a few adjustments but the rite is performed from the full moon to the new moon in a very left-hand path fashion. I made offerings of my own blood on each day of the rite and made a point of learning the conjuration from Grimorium Verum off by heart: mastering it by the day of the actual rite. The blood offerings were astoundingly powerful! I had ordered a sigil that was laser-branded onto wood and that I was wearing around my neck. I pricked my finger each day that I conjured Astaroth using sterile diabetic lances and anointed this talisman. There is something very primal and potent about letting your own blood, even if it is only such a tiny amount. The discomfort, the psychic link and the vital energy all help strengthen the magic. This was a revelation to me!

I did want to get in touch with the author to have some insight on the magician’s state of sanity after having completed the rite and by a strange coincidence I made her acquaintance on Facebook! I timed it so that I could have the weekend off on a river-boat. The climax of the ritual would be to summon Astaroth as a demoness or entity of the opposite gender and to consummate the ceremony sexually. Astaroth is historically associated with Astarte and Ishtar and mentioned in the Bible as such, so it makes perfect sense in this context. My feeling throughout was that Astaroth is female or at least gender-fluid.

I do much of my magic whilst working at my job as a gardener. Michael Bertiaux discussed the fact that many of the African slaves would do their sorcery whilst labouring in the fields in his Voudon Gnostic Workbook and I took my inspiration from this. I use the time that I do monotonous work to also do magic or to learn lines off by heart. During the time that led up to the ritual when I was learning the conjuration, Ashtaroth seemed to manifest very intensely. This would in retrospect have been the correct time to have consummated the ritual as outlined in the book but I wanted to keep to the schedule. I had intense visions and instructions on how to draw up a pact and what should be included.

The encounter had a very erotic flavour of the type associated with incubus/succubus phenomena documented in the witchcraft trials. I also had an intense dream that I had impregnated a black woman who would have our baby and it was going to be called Cressida. I had no idea what the significance of the name was until I researched it. Cressida was the daughter of the seer Calchas in Greek mythology. The book has a ritual for creating a magical child and it seemed that I was on my way of having done so already. The name has become a word of power for me with some weird effects when I intone it. When I say the name I feel like a female spirit superimposes its body astrally over mine.

When the actual day of the ritual arrived I headed out of London with my shamanic drum and a sacrament expecting a night of drumming and conjuring. I did actually draw up a pact with clauses to ensure that I get to know Astaroth a lot better before commending my soul to her. The ritual itself ended up being unspectacular. I was not ready for an all night session of drumming so I decided to keep the sacrament for another day in the future – maybe after my nine-month pact comes round. I intoned the conjuration that I had learnt 108 times and did a good amount of drumming. Astaroth did hear me and I have come away from this rite with a new method of magic that I will be experimenting with based on my experience with The Rites of Astaroth.

The book The Rites of Astaroth is available from Draco Press

Dave Lee’s Tales of Magic (14th Instalment)

The I Ching Astral Doorways I

I mentioned above that at the start of my magical career my development was split into two apparently distinct directions – Pete Carroll’s chaos magic, and a more traditional, psychism-based thread that aimed at full initiation, at some degree of awakening. This latter thread continued the rather mystical development I’d started in some of the better of my teenage acid trips.

These two threads did not need to be as separate as that – the sceptical, meta-view pragmatism of chaos magic could be applied with tremendous success to mysticism, just as it had been applied to magic. This did eventually happen, and partly by my own efforts in writing Chaotopia! many years later, and the work of Julian Vayne, Nikki Wyrd, Alan Chapman and others who brought a healthy scepticism to mystical matters but did not throw out the baby of luminous vision with the bathwater of religious ideology. This took years; the original, 1978 chaos magic was very much a product of Pete Carroll’s own view of magic, which is strongly anti-awakening.

So while I was taking active part in chaos workings out in East Morton (see the last two episodes), I was also working with another group, who were less impressed with the chaos magic approach, because of this lack of mystical perspective. This group included friends whom I’d first met through the early LUUOS, and the work we did was inspired by the Phoenix Light Lodge, which was run by Mike and Marian, whose working at my Leeds squat I described above.

A theme which ran through much of this work was astral doorways, especially involving the I Ching* hexagrams. The experiences we had would stimulate a rich dream life. In turn, this dreamscape was dotted with conflict. Some of these astral battles were inherited from Mike’s previous work with a very dangerous and unbalanced wizard called Ian, but most of them were magical dramatizations of personal issues.

I wrote things like:

SAT 4TH JULY 1981: Did we really see a hexagram on a flag in the park today? Certainly the bottom half – the Abyss Trigrams…!

We mixed the I Ching into aura work:

SUN 5TH JULY: Pranayama, LF WITH TRIGRAMS:

Very balanced sensations. Brought fountain up thro central Trigrams.

At some stage we decided to ‘gate’ all the hexagrams, in the usual order, and write a book about it. To unify the style of the visions, we made an intention to channel some kind of garden for each of the hexagrams, as a locale for the vision. The book never happened. Here is an example:

TUES 6TH OCT 1981: CHING GATE 2: K’UN, THE RECEPTIVE

Into temple without delay, and then rapidly through gate. Stepped onto a lawn of succulent dark green creepers with violet flowers. Guide was a woman, medium height, with a strong high-cheekboned face, clear steady grey eyes, black hair swept back from her face, robed in bright yellow with yellow sash. She welcomed me, showing a gold ring with a large bright emerald, to the garden, which was a terrace, ending at the downhill side with a white marble balustrade, each column finished with stylized lions’ heads. On the other side of the valley are rolling hills, shadowed depths of green, and in the distance mountain peaks with winter sunlight reflecting from their snowy caps.

There are no paths in this garden, but a set of steps at each end of the balustrade, edged with rambling roses. The lady walks down the farther one, and I the near one, down to the next level of the garden, where we sit on a bench of granite beneath an ancient elm whose gnarled and black roots reach up to the seat and beneath it. ‘See’ she says ‘how different he is from you, yet you both exist in this immense earth’. The sun seems still in the sky; it is late afternoon and winter, but not cold. The sky is the blue nearest white, pure crystal radiance, and my heart is at rest in this timeless garden. ‘Now let us see motion’ she says, and a swallow wheels against a backdrop of eternal now. Once again the garden is a node of stillness.

We return to the temple door. She gives me a word, not, I think, her name: ‘Shua’; a feather falls to the ground as I re-enter the Temple. I am reminded of Lorca’s lines: ‘ There is a bitter root/ and the world has a thousand terraces’.

*We used the Wilhelm translation, mostly, the one with Carl Jung’s intro in the front. The name was spelled I Ching, rather than the Legge version’s Yi Khing.

Dave Lee is the author of several books, including Chaotopia, Bright From the Well and Life Force: Sensed Energy in Breathwork, Psychedelia and Chaos Magick. Visit his website and sign up for his newsletter.