I Believe in Miracles

by Soror Brigantia

Coming out is always a difficult process, whatever it is that you’re coming out as. Going against the expectations of your society, against the pressure of your peers and all expectations that there may be. It’s difficult to admit that there is something about you that is different. It’s especially difficult if what you’re coming out as is not cool, not well thought of and seen mostly as a stupid piece of crap.

I have come out in all sorts of ways over the years and what has been difficult, the most challenging thing to admit to not just to the world and to myself that … my favourite magical paradigm is … disco. Yes, disco. Not heavy metal not black metal, not punk, not dance. Disco!! And I don’t know anyone who would admit to liking this form of art, but go to any night club and see what happens when a disco track is being played. I think I’m not the only not so secret lover of disco. And OK it ain’t Mozart; I see no complex equations within the sounds of the disco notes … but it is the most overwhelmingly optimistic sound I’ve heard and it fills my soul.

And I also like Titania’s Little Book of Spells by the way. Since I’m coming out I may as well say it- the books are furry and pink and purple and I love them and I see nothing wrong in that.

So where did my love of disco emerge? When I did I realise that this was the sound for me? It came about due to my deep love of magick, magick for its own sake, magick for the pure joy of doing it. There are always several layers of statements of intent within my rituals and more often than not hidden in the main statement of intent is a secondary statement of intent. While I call it secondary often it is the most important statement of intent which is “to experience Joy while doing this Ritual.” It’s through this experience of the joy of magick that the disco paradigm emerged and took hold of me.

How it came about is that a group of friends and I regularly meet up to practice magical rituals, to share and swap techniques and we chose to have a number of sessions around certain themes. We could not help but see the overwhelming similarity between the great God Baphomet and John Travolta in Saturday Night Fever. From this we felt that we would do an evening of disco magick and would boogie – boogie – boogie with the gods in good ol’ disco style.

“As above, so below …”

I was working with the voodoo paradigm at the time so I undertook a great work which I called Disco Voodoo, calling upon the Lwa via song, selecting the disco tracks that I felt most summed up the qualities of the spirits. And it rocked!! The voodoo spirits loved the disco music and manifested more strongly than they ever had to me before and I knew I had found my crossroad, my gateway in to the spirits of voodoo.

But why disco? Why did the Lwa respond so effectively to this music? There are many reasons; one reason is that disco music is very much about being alive, and full of metaphors and symbols about the things that we do to create life. The highly sexualised lyrics and rhythm of the music combined with the love of life that only the dead can feel led to a merging of life and death and love and loss into a single paradigm that can be described as Thanateros.

During that temple meeting Disco Voodoo also known as Makossa Voodoo took form and is developing into a complex system of spirits some of African origin some of which are Welsh connected to my local area all of whom are called up by a number of sacred chants from the disco paradigm.

The Open Circle

The Illuminates of Thanateros recently held an Open Circle in South Wales, with an assortment of magicians both inside and outside the IOT. We’ve been doing this for some years now, increasingly replacing the elaborate conference-style events of old with pop-up magical gatherings and semi-open circles.

Yes, semi-open. This means that non-IOT magicians join us for the shenanigans. This further means that in the interests of our oaths of confidentiality, any IOT members are made known as such only with their express permission, even within the Circle. However, just because you don’t ‘out’ other members doesn’t mean that you yourself can’t go public as a member of the IOT. That’s for secret societies, which we are not.

All of this breaks the mould set by more traditional magical organizations, but it’s an exciting development within an Order whose mission is, quite simply, to encourage and facilitate the practice of chaos magic in groups, thereby enabling wider access to magical culture in our society – Aepalizage! – as we like to say.

While the network may be the new shape of magical orders, the Circle is still how the magic happens: people getting together and doing the thing. Not that you can’t do magic on your own: of course you can. But the accumulated magical skill and experience plus the undeniable social proof effect of being amongst colleagues gives each magician a powerful platform from which to work great magic, magic often unavailable to the loner.

Every group that’s met regularly and kept good records – yes, even an informal Circle benefits from keeping a magical diary – every group can confirm that the magical results really go with a swing when we all pitch in together. That, after all, is why we in the IOT also describe ourselves as a Pact; a group of free individuals who agree to act together in each others’ interests, in contrast to an hierarchical Order.

So we got together and did the thing in Swansea, South Wales, a sort of planned ‘bring-a-ritual’ party. After a keynote address and ritual by Soror Brigantia 739 we swung into a parade of excellent magical work. No, I won’t tell you without permission what we did; what goes on in the Circle stays in the Circle. If you want to know, join in next time. Or maybe even set something up yourself; just find some others.

And then, of course, there’s us.

Frater Kaitŵm.625, the Kite, 2º Adept IOT, British Isles Section Head

His website, The Kite’s Cradle

Dave Lee’s Tales of Magic (14th Instalment)

The I Ching Astral Doorways I

I mentioned above that at the start of my magical career my development was split into two apparently distinct directions – Pete Carroll’s chaos magic, and a more traditional, psychism-based thread that aimed at full initiation, at some degree of awakening. This latter thread continued the rather mystical development I’d started in some of the better of my teenage acid trips.

These two threads did not need to be as separate as that – the sceptical, meta-view pragmatism of chaos magic could be applied with tremendous success to mysticism, just as it had been applied to magic. This did eventually happen, and partly by my own efforts in writing Chaotopia! many years later, and the work of Julian Vayne, Nikki Wyrd, Alan Chapman and others who brought a healthy scepticism to mystical matters but did not throw out the baby of luminous vision with the bathwater of religious ideology. This took years; the original, 1978 chaos magic was very much a product of Pete Carroll’s own view of magic, which is strongly anti-awakening.

So while I was taking active part in chaos workings out in East Morton (see the last two episodes), I was also working with another group, who were less impressed with the chaos magic approach, because of this lack of mystical perspective. This group included friends whom I’d first met through the early LUUOS, and the work we did was inspired by the Phoenix Light Lodge, which was run by Mike and Marian, whose working at my Leeds squat I described above.

A theme which ran through much of this work was astral doorways, especially involving the I Ching* hexagrams. The experiences we had would stimulate a rich dream life. In turn, this dreamscape was dotted with conflict. Some of these astral battles were inherited from Mike’s previous work with a very dangerous and unbalanced wizard called Ian, but most of them were magical dramatizations of personal issues.

I wrote things like:

SAT 4TH JULY 1981: Did we really see a hexagram on a flag in the park today? Certainly the bottom half – the Abyss Trigrams…!

We mixed the I Ching into aura work:

SUN 5TH JULY: Pranayama, LF WITH TRIGRAMS:

Very balanced sensations. Brought fountain up thro central Trigrams.

At some stage we decided to ‘gate’ all the hexagrams, in the usual order, and write a book about it. To unify the style of the visions, we made an intention to channel some kind of garden for each of the hexagrams, as a locale for the vision. The book never happened. Here is an example:

TUES 6TH OCT 1981: CHING GATE 2: K’UN, THE RECEPTIVE

Into temple without delay, and then rapidly through gate. Stepped onto a lawn of succulent dark green creepers with violet flowers. Guide was a woman, medium height, with a strong high-cheekboned face, clear steady grey eyes, black hair swept back from her face, robed in bright yellow with yellow sash. She welcomed me, showing a gold ring with a large bright emerald, to the garden, which was a terrace, ending at the downhill side with a white marble balustrade, each column finished with stylized lions’ heads. On the other side of the valley are rolling hills, shadowed depths of green, and in the distance mountain peaks with winter sunlight reflecting from their snowy caps.

There are no paths in this garden, but a set of steps at each end of the balustrade, edged with rambling roses. The lady walks down the farther one, and I the near one, down to the next level of the garden, where we sit on a bench of granite beneath an ancient elm whose gnarled and black roots reach up to the seat and beneath it. ‘See’ she says ‘how different he is from you, yet you both exist in this immense earth’. The sun seems still in the sky; it is late afternoon and winter, but not cold. The sky is the blue nearest white, pure crystal radiance, and my heart is at rest in this timeless garden. ‘Now let us see motion’ she says, and a swallow wheels against a backdrop of eternal now. Once again the garden is a node of stillness.

We return to the temple door. She gives me a word, not, I think, her name: ‘Shua’; a feather falls to the ground as I re-enter the Temple. I am reminded of Lorca’s lines: ‘ There is a bitter root/ and the world has a thousand terraces’.

*We used the Wilhelm translation, mostly, the one with Carl Jung’s intro in the front. The name was spelled I Ching, rather than the Legge version’s Yi Khing.

Dave Lee is the author of several books, including Chaotopia, Bright From the Well and Life Force: Sensed Energy in Breathwork, Psychedelia and Chaos Magick. Visit his website and sign up for his newsletter.

Remembering Harriet Tubman

by Soror Brigantia

In occult circles and within occult literature we hear a great deal about people who make outstanding contributions to magical practice. There are, for example, countless blogs and publications regarding the fantastic work undertaken by Aleister Crowley, Edward Kelly, John Dee and Austin Osman Spare — to name just a few.

While the contributions of these men cannot be undervalued, the lack of a female role model can leave many female practitioners of the occult wondering where their place is in all of this and where are the female occultists. It’s my opinion that the female role models are there, such as Dion Fortune. It’s just that they don’t get as much ‘air time’ as the men. For me personally one outstanding example of a female magical practitioner is Harriet Tubman.

Harriet Tubman was born Araminta Ross in the 1820’s and was born into slavery. A remarkable woman, she liberated herself from the bonds of slavery and fled to Pennsylvania. Not content with this she made several trips back south to liberate other Afro Americans held in bondage. She even risked recapture by going back to Dorchester County – where she had been held in slavery – to free others.

She became one of the most famous conductors on the Underground Railroad and one of the most unusual. Few Underground Railroad conductors would conduct their people all the way from plantation to freedom. Most of the time they would work as a team with different conductors picking up the escapees at different stages of their journey. Feeling a sense of responsibility towards the people she had freed Tubman would take them on the whole route.

Due to the Fugitive Slave Act of 1850 it become legal for bounty hunters to cross into a free state and recapture escapees. Tubman took her charges all the way to Canada to ensure their continual freedom after escaping. Most conductors would only lead 2 or 3 escapees; Tubman made a speciality of conducting larger groups of sometimes up to 25 people. This was dangerous work. Most conductors who did take their charges for the whole of the journey were white men and were therefore protected in some measure by this status. Tubman was a black woman and an escapee herself making this work more dangerous for her.

However, unlike many of the men who did this work Tubman was never caught. She had an innate sense of strategy and knew her terrain well – for she was also a Hoodoo woman, a practitioner of Conjure. She is famous for her Christian faith as in those days it was not uncommon for a Hoodoo practitioner to also be a Christian. She could hear the voice of god who would tell her what lay ahead on the course she was travelling on the Underground Railroad and she would change direction if she was told that danger lay ahead.

During the civil war she worked as a nurse for the Union and a considerable amount of her nursing was aiding soldiers who had contacted contagious diseases. Tubman of course never contracted those diseases herself. As she was a Hoodoo woman and knew the herbs and plants and their medical properties she was able to take measures to protect herself. Due to her advanced ability as a strategist she also worked more directly for the army and led a raid during which 750 Afro Americans achieved their liberty. She truly earned her nickname of ‘the General.’

After the war she worked for civil rights for women and Afro-Americans. When she saw that older Afro-Americans with poor health were not able to obtain the health care they needed she used all her financial resources to establish housing for them where they could receive this care.

Harriet Tubman was a very practical woman who used her Hoodoo and conjure skills in a very real way to achieve very real results within the realm of civil liberties and for that I applaud her. What better role model could there be?

See more at http://www.harriet-tubman.org/

Healing Meditation

by Soror Brigantia

One of my core magical skills is within the healing arts and I have spent many years studying various healing magicks along with the practical skills of massage and reflexology. Along the way I have studied with a huge variety of people and engaged in many different types of healing systems. There is one thing that most of the complementary therapy arts have in common is in the value of meditation. I have adapted my own style of meditation for alleviating stress which I have found useful on many occasions.

The meditation starts by creating the right type of healing space, too often I’ve been healing rituals done in draughty community centres, churches and halls where a portable heater, some throw cushions and some banners with colourful designs can be added to promote a more relaxed atmosphere. An altar to your favourite healing deities is helpful and in the centre of the circle should be a single candle plus some quartz crystals to amplify the energies.

This is almost a word by word transcript of the meditation that I like to use, it can be adapted to suit different circumstances.

The Meditation

Find a comfortable position and relax keep you’re back straight and relax all parts of your body. Now allow your mind to settle and take some normal breaths focusing your mind on the rising and falling of your chest.

Now I want you to breathe in a healing breath and imagine/think/feel that you are breathing in healing light. This healing light can be any colour you choose as long as it is one that is healing for you. When you breathe out I want you to imagine/ think/ feel that you are breathing out all of the energy that you no longer need in the form of black smoke. Now breathe in through your nose the healing energy and now breathe out of your arse. That’s right breathe out all your negative energy from your arse.

So breathe in through your nose, out through your arse, in through your nose, out through your arse. That’s right. And when you breathe out through your arse I’d like you to softy say this mantra to yourself “shit happens”.

That’s right. In through your nose out through your arse: shit happens; in through your nose out through your arse: shit happens. And as you start to feel more comfortable with the fact that shit sometimes just happens I’d like you to consider the wise sages of old and their advice “sometimes there is a mountain, and then there is no mountain, and then there is a mountain and then no mountains. So it is with your shit in your life, sometimes there is a mountain sometimes no mountain, shit happens. So breathe in with your nose and out through your arse: shit happens, in through your nose out through your arse: shit happens.

I’d now like you to consider the Tarot card, the Wheel of Fortune. Sometimes you’re on top of the wheel, sometimes below and sometimes to the side; so it is with the shit in your life, shit comes and shit goes, shit comes and shit goes. Breathe in through your nose, out through your arse, in through your nose and out through your arse, in through your nose out through your arse, that’s right sometimes shit just happens.

And when your experiencing stress in your life you can use this meditation to help you relax and to know that surely as shit appears it disappears: shit comes and shit goes; so its okay to have some shit in your life. It is after all nothing that can’t be resolved by good plumbing and some antibacterial wash. In through your nose and out through your arse, shit happens.

And if there is someone in your life who is giving you their shit you can teach them this meditation and tell them simply to “blow it out of their arse.” In through your nose, out through your arse. That’s right.

Now I’d like you to slowly open your eyes and come back to the room confident that sometimes shit just happens.

This meditation is best led with a serious expression and all the trappings of a New Age Temple.

Soror Brigantia is the current head of the British Isles Section of the Illuminates of Thanateros.

For those deficient in irony, let it be noted that Levity is not the same as ineffectuality. This technique yields results. (ed)

Ridden by the Horse

Ffynone Mari with chaostar and rain bonnet

Soror Brigantia and I took my Mari Lwyd for a canter at the Chepstow Wassail and Mari Lwyd Festival. If you have no idea about the growing Welsh revival of custom of cavorting in public with a horse’s skull here’s a very good outline of the Mari Lwyd tradition.

Bearing a Mari Lwyd is more like wearing a mask than operating a puppet. To me that makes it Invocation rather than Evocation in the usual chaos magic senses. Invocation may be identified by the extent to which another presence seems to displace your own at the controls and exhibit behaviours out of character for yourself. And what do you call the person under the horse? I can’t even use the common Voodoo term ‘the horse,’ because, well, you see? So I’m going with ‘bearer’ for now.

One or two Mari bearers had confirmed to me that they could feel an overshadowing presence of a properly woken Mari. I had all day to check this out, and yes. My Ostler for the day, Soror Brigantia, spoke afterwards of feeling like I’d been away all day and she’d been left with the Mari. I found it confusing and difficult to carry on a human conversation while under the horse, and managed only the briefest social interactions.

However Ffynone Mari turned out to be quite in demand with the littluns and made herself available for having her muzzle patted and stroked. It all sounds very cutesy until you realise you’ve been normalising contact with death and the Otherworld in a society in screaming denial about both.

The high point of the Festival is a meeting at Chepstow bridge, where three paradigms come together. First was the massed cavalry of Mari Lwyds, 34 on this outing: a record set earlier in the day during the Mari Lwyd Pageant, a beauty contest for horse skulls in sheets. Picture it. Next were the Border Morris and various Morris platoons, faces blackened (eat it, social justice warriors: it’s a traditional way to preserve anonymity in these parts, and nothing to do with American racism); and the Wassailers, whose big moment earlier had been waking up the apple trees in order to ensure a good harvest this year with the Old English greeting Was hál! — ‘Be Well!’ which we toasted with mulled cider, welcome in the damp cold of the day.

The night-time clash at the bridge was a noisy, rival supporters sort of affair, and then, as they always report, ‘peace broke out,’ and we all headed back into town together to drink and make merry.

It should be no surprise to a chaos magician to see such a cluster of paradigms playing nicely together. The mutual appreciation was obvious. Lessons to be learned there. But enough of the worthy and meaningful stuff: suffice to say a good time was had by all, especially by Ffynone Mari.

Invocation of the Mari Lwyd

Kite

Dave Lee’s Tales of Magic (13th Instalment)

THE END OF THE FIRST IOT GROUP

The membership of the Group was variable, with a core of Pete Carroll, myself and a couple of others, with other people sometimes recruited at Sorcerer’s Apprentice coffee mornings. Meetings all took place in East Morton, at Ray Sherwin’s place, from where we walked out into Sunnydale. This is a beautiful, wooded valley with a lake and ruined buildings, on the edge of Ilkley Moor. It was possible to get from Leeds to East Morton, where Ray Sherwin lived, by getting on the 93 bus from near the University into town, then an intermediate step, then the 666 bus from Bradford. Ray often encouraged raw, first time visitors with no local knowledge to do so, for obvious qabalistic reasons, even though there were much easier ways to get there.

One early meeting shows the style we were developing. I learned the Bornless One from a photocopy I’d taken from the Appendices in Crowley’s Magick. I was the invoking priest, and we were using the Bornless One as a consciousness-raising working, as a preliminary to the main parts of the evening’s work. Chaos Mass B, the nearest thing the IOT ever had to an official ritual, didn’t exist yet: we needed a consciousness-raising ritual and we were making things up as we went.

One of the later people to join asked for and got a full-scale initiation working, tied up in the woods while various things went on around him, including our hurling sigils at him. Here’s a bit of my diary entry, where I record what was at the time ‘the closest bit of astral clairvoyance I’ve ever done!’:

SAT 30TH MAY: Last Nt: IOT Group Meeting:

I saw, during our projections at the Candidate, this:

Pete actually projected the following:

The Group closed at a rite on Beltaine 1982, when a copper Pantacle for the future development of the IOT was buried in a wood. This pantacle was dedicated to the female influence in the IOT; we had worked out that one thing that kept women away from magical orders was the tired old Masonic structures of most of them, so we determined to find a new direction. I wrote the following Four Goddesses working and sacrificed the energy I’d loaded into a carved Goddess figurine.

SAT 1ST MAY: I.O.T. MAY EVE RITE

1. Simon’s banishing

2. PD’s delivery of Mass of Chaos, followed by consecration of wine and sugar, whilst Caryn recited Hymn to Pan.

3. PD administers sacrament

4. Pete Banishes Baphomet

5. PD presents the Disc of the Summer to Caryn, flanked by Anjie, Janet, Christine.

6. My invocation of Goddesses: ‘To thee be the Kingdom of Earth, all power and mercy’. Opening the 4 Q’s in the names of the Watchtowers. Taking of the Necklace and invocation to each Quarter:

Ishtar, bringer of light and inspiration, renew us

Sekhmet, in whose loins is kindled the heat of summer, renew us

Hekhet, mistress of birth, death and cycles

In the Unifying name of Woman, who is known as BABALON, may the Order of the IOT be renewed’

In the Name of Chaos, I release the power trapped in this instrument, for the use of the Order’. Star of Chaos above fire, plunge Necklace into fire.

Repeat Cross, return to place in circle.

7. Christine takes us through the Dragon movements

8. Circle dance, chanting ‘Hekas Hekas Este Bebeloi’ with Caryn in centre with Disc.

9. Caryn consecrates Disc and Ointment. The Disc is buried at the Site.

10. Chris and Janet banish and close.

Afterwards, we used Pete’s belladonna ointment again. It worked a bit – I didn’t get any OOB or lucid dreams, but the most extraordinarily compressed visions while awake – regular crystalline geometries, intricate plant forms, then places, rooms, a railway station and so on until these slowed and I went to sleep.

That group only met about 5 or 6 times in 18 months. It was an early stage of the IOT, the first experiment in a new approach to group magic.

Dave Lee is the author of several books, including Chaotopia, Bright From the Well and Life Force: Sensed Energy in Breathwork, Psychedelia and Chaos Magick. Visit his website and sign up for his newsletter.

Dave Lee’s Tales of Magic (12th Instalment)

Tales of Magic Part 12: The First UK IOT Group’s First Meetings

Liber Null was a revelation. Here was an attitude to the Mysteries that did not reject the things science had discovered about how the material world works but neither did it approach that world with the dull, prison-planet mentality of scientism. Nor did it place years of tedious theoretical training in the way of doing actual practical magic.

And ‘Sorceries of Tao and Zos’ – it all sounded so romantic!

I met Pete Carroll in the Sorcerer’s Apprentice on one of the aforementioned coffee mornings. He’d come back from his world travels, in the course of which he’d founded the first IOT Temple, The Church of Chaos, in Sydney, Australia, with one Frater Vegtan. Pete referred to it as the ‘IOT in style’. Judging by the stories he told, this meant some elegant public rituals and some serious partying. The Church apparently ran for about 6 months in 1980, leaving no succession.

Pete moved to East Morton, the village where Ray Sherwin lived. The Yorkshire group was the next IOT group, and the first in the British Isles.

The group started in late 1980, and ran till May 1982. The theme for the first working was perhaps an odd choice – an astral sabbat – but it was to try out Pete’s home made belladonna ointment. His previous experiment with belladonna had not gone well. He made some into jam, and he and his friend kept sampling it, making that classic naïve-drug-taker mistake of thinking ‘Oh, it’s over an hour now, and nothing’s happened, let’s have some more.’ On the basis of that experiment, Pete’s wife summed up belladonna as ‘Good for a night in the intensive care unit.’

The idea was we would find a site to visit in dream, go home and rub the ointment on ourselves, dream and meet up. Here’s part of my diary entry for when we went to get a feel for the site in East Morton:

SAT 15TH NOV: PREP. OF SABBAT SITE:

PD, Anjie, Ray, Pete Carroll and me. Foundations under the grass, left from Morton’s better days, before the (local) flood. We dowsed the site. Got feel of it for Sabbat, returned to centre and placed blood and spit beneath centre stone as homing beacon.

Stood facing east and dedicated whole working to Higher Self.

The actual working was a week later.

SAT 22ND NOV: THE SABBAT NIGHT (00.00 onwards, PD’s place)

Moon incense, violet robe, dog skull, one candle.

Anointed forearms, forehead, thighs with belladonna flying ointment: ‘This ointment is the key of night/ unlocks the eyes of dream / I go in cloak of Dark Mother / … Let the wings of dream unfold / and cast me on the night to place prepared’

SHADDAI EL CHAI!

A few pranayama cycles, retaining breaths.

After maybe ¼ hour, abrupt changes: in and out of tiny dream sequences … visualized the Sabbat site from a remarkable number of different perspectives.

Slept for 8 hrs. Dreams of normal vividness and no special interest. Woke fine and refreshed!

This was disappointing, but a worthwhile belladonna experiment. Tropane alkaloids are notoriously capricious, with a disturbingly low ratio of effective dose-to-lethal-dose, and I never felt like trying again with a larger amount. I’m more of a tryptamines man myself.

Dave Lee is the author of several books, including Chaotopia, Bright From the Well and Life Force: Sensed Energy in Breathwork, Psychedelia and Chaos Magick. Visit his website and sign up for his newsletter.

In Praise of MMM: Motionlessness/No Thought

If there’s one signature exercise amongst the Illuminates of Thanateros it’s Motionlessness/No Thought – MNT. In itself it’s unassuming and dull yet difficult and That Chore Which Must Be Done if you’re a Novice. It lurks among the Mind Control exercises of the Illuminates of Thanateros Novice training program, the ‘studentship syllabus,’ called Liber MMM, like the black sheep at the wedding reception.

Where did it come from? In the seminal chaos magic book Liber Null, Peter J. Carroll adapted the Yoga exercises of Aleister Crowley’s Book 4: Mysticism (part 1) for his adaptation within Liber MMM. This in turn was appropriated from The Yoga Sutras of Patanjali.

More than anything else, MNT forges and storm-proofs the magician. When one of those ‘there’s something out there and it’s in here!’ moments occurs, if you’re going to look a god in its one massive bloodshot eye without shitting yourself, your Proper Prior Preparation and Practice of MNT helps you stand as The Magician In The Moment. When synchronicities turn your life into a shitstorm, you need the inner composure that meditation offers.

And all this starts from just sitting still.

Motionlessness is about not shifting weight, not scratching those inevitable little itches, and so forth. It’s not about torso movements when you breathe or tics or involuntary eye movements or blinking (if those bother you, shut your eyes). Pick a posture and stick to it. Since you don’t want to be shifting for comfort, pick a posture that’s comfortable in the first place. I did know someone who started off by doing his MNT in the Dragon Posture, but he doesn’t recommend it. Don’t try to be hardcore: leave your ego outside the Temple door.

If you gaze at a random spot on the wall you’ll very soon notice a slight tunnel vision. This is you entering a very light trance. Relax into it and your breathing will slow, swallowing and blinking are inhibited and the itches will become ignorable.

Breathing: pranayama. There’s a simple technique. In — out. And so forth. Fancy breathing techniques can wait, unless you already have mastery of them.

No-Thought is an unceasing business. Begin by just watching thoughts arise and pass away. Do nothing about them. When you catch yourself fixating on a thought, just drop it.

As you become aware of ‘space’ as it were in your consciousness where no thoughts are, as thoughts arise then deliberately ignore them and attend instead to that empty space. From time to time you get some blessed peace, when there are no thoughts to ignore. You’ll probably notice this moment of peace only when it’s over.

It’s not so much about that moment as the abilities, manifested over time, to drop easily into inhibitory trance states, to close down unhelpful streams of thought while under pressure and to concentrate on what is currently important. The concentration you’re looking for is not the fierce fixed frown and furious glare; it’s the relaxed absorption of a child at play. You are ‘in neutral,’ as it were. From this state you will learn to put yourself in gear by paying attention to something and there the magic starts.

Start with about 15 minutes and after a few days of practice add five minutes, and so forth until you’ve got 30 minutes’ practice time. It is totally worth it. This is why to this day the Illuminates of Thanateros still champion this practice and require our Novices to practice it daily.

Enochian Aethyrs in the Temple

In Liber Null and Psychonaut is the ‘Mass of Chaos B’ and in its invocation of Baphomet it is asserted that (S)he lives in the First and Highest Aethyr, which is LIL. This gave me the idea to share a technique that our coven developed and refined over 5 years with which to explore the Enochian Aethyrs with a temple gathering.

Some time ago I set myself the task of learning of by heart the Call of the 30 Aethyrs. This took me a number of weeks as I have a memory like a sieve. I then set about constructing a complete Enochian ritual with which to accomplish my mission. My first attempts at opening the Aethyrs and exploring them were of mixed success. It felt that I managed to open the doors a little bit and peek-in. Part of the problem is my lack of clairvoyance. However, there was some success; I did get some good visions and I began to have some kind of a map forming in my mind.

To delve deeper I learned the Call in English and would then say the Key first in English and then in Enochian. This did actually open a whole new dimension to this work as getting to know what the Call says puts a great deal of context into this magic and helps set the tone. It is well known that the Call has a very apocalyptic feel to it and within it there are layers of meaning and a complex dialogue between several entities.

My second mission into the Aethyrs did bring back more information. There can be quite a dogmatic perspective on what you are supposed to experience in each Aethyr and magicians of a particular school can get quite irritated if your experience does not accurately tally with that found in The Vision and the Voice. My view on this is that you are really exploring your own arcana and not that of Therion. I found a certain commonality but a huge and interesting divergence. My most stunning and for me interesting departure was finding St Peter in the Abyss and not Choronzon as the Guardian.

By far my greatest success with working the Aethyrs has always been within a temple setting with other magicians. Our coven had spectacular success opening the Aires. Our first attempt culminated in us exploring an extremely vivid cyclopean underwater city complete with buildings and a temple at its centre. Another time we explored Spare’s ‘atavistic resurgence’ via the Enochian Aethyrs and travelled down the evolutionary ladder with the aim of reaching an all embracing simplicity or a primal ancestor. We saw some hooded figures unveiling themselves in a cave-chamber deep underground to reveal what I would describe as caricatures of ourselves: I woke up with these words in Enochian the next morning and I had to look them up in my dictionary: ‘behold the face of your God’!

The method that I came to call ‘spontaneous pathworking’ is really very simple and is as follows:

After creating a sacred space using preferably an Enochian Watchtowers ritual and some cleansing of the participants and a strong invocation, the Call of the 30 Aethyrs is intoned in English and then in Enochian.

At a temple gathering I truncated the ritual a bit as I was a bit nervous about presenting it but it worked perfectly well. I used my strong Enochian Circle ritual and my Enochian ‘Bornless Ritual.’ I made sure to include a cleansing ceremony which ‘Dr Chaos’ from our coven accomplished by using a rattle to clear the aura of each participant in turn.

I placed my rather large obsidian ball on the altar with us forming a circle around it and kept it veiled until everyone was ‘cleansed’ and waiting with a little bit of anticipation and curiosity.

I explained to everyone the method: I would intone the key and then we would pass round a narrative with a squeeze of the hand to the person to one’s left: simple. I would start with for example: ‘I see an entrance to a cave in front of us, we enter and we can now see torch-lit steps leading steeply downwards in a spiral’ etc. When done I would then squeeze the hand of the person to my left and they would continue and quite often a very rich narrative would unfold with several complete circuits round all of the participants.

The result was really very good! I think that we came up with a vision of LIL: ‘The First and Highest’ Aethyr which was rich and vibrant and could easily rival anything within The Vision and the Voice. I could tell that some people were much more clairvoyant than others and could sense a rising and falling of quality which was fine as long as the narrative kept on being passed round. When we finally opened our eyes I was pleased and proud to see that people had a similar expression on their faces as if they had just got off a rollercoaster.

Frater Ananael 252